{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Cinema After Alain Resnais\n","author_name":"Reuben Keehan (translation) \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"https:\/\/contextxxi.info\/cinema-after-alain-resnais.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/contextxxi.info\/cinema-after-alain-resnais.html'\u003ECinema After Alain Resnais\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EThe so-called “new wave” of directors currently attempting to revitalize French cinema can be defined first of all by its complete and notorious lack of artistic innovation, quite simply at the stage of intention. To speak in less negative terms, it is characterized by a number of specific economic conditions whose dominant trait is without a doubt the importance in France of a certain school of cinema criticism that represents a sort of moral support \u2014 by no means insignificant \u2014 in \u003Ca href=\"..\/cinema-after-alain-resnais.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}